Search results for "Archaeological Museum"
showing 8 items of 8 documents
From the Museum to the site and backwards
2021
Digital archaeological reconstructions usually at documenting the original position of blocks and architectural elements of the building, both the ones on site and those exhibited in museums. Digital survey and representation provide the opportunity to place the fragments into the reconstruction model of the building, thus making the understanding of their shape and function much easier. A relevant difference between past and present reconstructions is the representation of the context and the landscape. The context is a relevant feature of watercolor ‘Restorations’ of the Grand Tour; on the other hand, in digital reconstructions the landscape is often neglected or reduced to a ‘background’…
Le metope del Tempio C: dal Museo della Regia Università al Museo Nazionale di Palermo
2020
The story of the metopes of Temple C at Selinus, from the discovery by S. Angell and W. Harris in the spring of 1823 to their landing in the port of Palermo, is well known trough Marconi studies. The aim of this paper is to analyze the exhibition history of Selinus reliefs, from the first arrangement in the Museum of the ‘Regia Università’ to their placement in the National Museum of Palermo (‘Museo Archeologico Regionale A. Salinas’ since 1977).
Pompei, Casa di Sallustio (Regio VI 2, 4): 2. Statuetta di Eracle con la cerva cerinite; 3. Vasca marmorea; 4. Monopodio con erma barbata; 5. Tavola;…
2019
Si presentano i rinvenimenti più significativi dagli scavi di S.M. la Regina Carolina di Borbone nella domus pompeiana poi divenuta nota come Casa di Sallustio: arredi marmorei e scultorei (sia in marmo che in bronzo) che consentono di ricostruire, in particolare, l'allestimento ricercato dell'atrio nella risistemazione augustea della domus
Torre del Greco, villa marittima in contrada Sora: 65. Statua di Satiro
2019
Si presenta il più noto reperto scultoreso dalla Villa di Contrada Sora a Torre del Greco, sondata per cunicoli dall'allora principe ereditario della dinastia borbonica, al cui seguito il reperto giunse a Palermo all'epoca della fuga della famiglia reale per l'avanzata francese. Il Satiro, una delle migliori repliche del celeberrimo Satiro Versante di Prassitele, consente di individuare alcune specificità della rielaborazione copistica rispondenti al gusto del facoltoso committente della costa vesuviana.
Il cratere del Pittore dei Niobidi al Museo Archeologico di Agrigento: dalla Gela post-tirannica alla Sicilia post-unitaria
2018
The paper considers the monumental crater of the Niobid Painter found in Gela in 1889 and preserved in the Archaeological Museum of Agrigento. It depicts an Amazonomachy all round its body, the myth of Herakles and Pholos along with a Centauromachy on the two sides of its neck. The first part of the contribution traces the history of the vase from its discovery to the musealization; the symbolical meaning taken up by this object and this type of precious vases in the post-united Sicily is reconstructed. In the second part of the paper, the crater (a cinerarium) with its images are analyzed in their ancient context of use. This study is an attempt to reconstruct the physiognomy of the Geloan…
SMART SfM: SALINAS ARCHAEOLOGICAL MUSEUM
2017
Abstract. In these last years, there has been an increasing use of the Structure from Motion (SfM) techniques applied to Cultural Heritage. The accessibility of SfM software can be especially advantageous to users in non-technical fields or to those with limited resources. Thanks to SfM using, everyone can make with a digital camera a 3D model applied to an object of both Cultural Heritage, and physically Environment, and work arts, etc. One very interesting and useful application can be envisioned into museum collection digitalization. In the last years, a social experiment has been conducted involving young generation to live a social museum using their own camera to take pictures and vid…
Le char du tumulus du Trembloi, commune de Magny-Lambert (Côte-d’Or)
2013
L’étude des collections protohistoriques du Musée archéologique de Dijon nous a mené à enquêter sur un fragment de moyeu de char hallstattien conservé dans la collection Brulard et indiqué comme provenant du tumulus du Trembloi à Magny-Lambert (Côte-d’Or). Si, depuis les travaux de R. Joffroy, le doute concernant la provenance de cet objet semblait permis, la mise à notre disposition de l’inventaire du musée ainsi que des manuscrits inédits du docteur Brulard et les détails qu’ils révèlent permettent de contredire cette thèse. Study of the protohistoric collections in the Archaeological Museum of Dijon led to us to investigate a fragment of an iron hub from an early Iron Age wagon in the Br…
“NUMMI DIGITALI”: approcci innovativi per la conoscenza, gestione e valorizzazione del patrimonio numismatico del Museo Archeologico Regionale “A. Sa…
2022
The subject of the contribution is the “NUMMI DIGITALI” project which aims to enhance the numismatic collection of the Archaeological Museum “A. Salinas” in Palermo, closed to public use for over seventy years, which will become accessible thanks to the close interrelationship between numismatic-archaeological methodologies and the IT approach. The project, curated by Lavinia Sole, Numismatics researcher at the Culture and Society Department of the University of Palermo, within the PON "Research and Innovation" 2014-2020, Axis IV-Action IV.4, provides for the creation of a digital database, in line with the standards and cataloging tools of the ICCD and with the methodological guidelines of…